The writers grouped around Van Nu en Straks helped to bring about a revival and internationalization of Flemish culture. Though they held a wide variety of opinions, they all strove for an art that would comprehend all human activity, and in which individual feelings would be given universal significance. In his masterly essays and his symbolic novel De wandelende Jood (1906; “The Wandering Jew”), their leader, August Vermeylen, advocated a rationalism infused with idealism. Prosper van Langendonck, on the other hand, interpreted the incurable suffering of the poète maudit. In 1898 Emmanuel de Bom published Wrakken (“Wrecks”), the first modern Flemish psychological and urban novel, and Starkadd, an early Wagnerian drama by Alfred Hegenscheidt, was produced.